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When I travel, I draw and paint sketches which is great fun. And as long as you are fully aware that it has nothing to do with actual art, I think that's all right.
I never go anywhere. I do sketches and make phone calls, and people visit. It's more fun to come to Paris.
Occasionally projects just take off unexpectedly, sometimes you can work away at sketches and ideas for years before they are published. There are a number of authors I would be eager to illustrate.
In middle school, I started to draw, and my pencil sketches were huge. They were these 4ft by 3ft drawings, and I got a lot of attention for that, so that was very validating. But I didn't start cartooning until I was in college.
Sketches have characters, exits, entrances and are vastly different.
I will never tire of recommending the custom, practiced by the best architects, of preparing not only drawings and sketches, but also models of wood or any other material. These... enable us to examine... the work as a whole... and, before continuing any further, to estimate the likely trouble and expense.
Remember that film 'Sliding Doors,' when John Hannah woos Gwyneth Paltrow by reciting Monty Python sketches? I can tell you now that doesn't work, so that film's wrong.
I was fooling everyone by surrounding myself with funny people. But then I put myself out there - writing my own sketches, going on stage with nobody surrounding me - and for some reason people were still laughing.
I carry a notebook full of sketches of pictures I want to take - they are really scruffy sketches, but at least I am going out there with a clear objective.
As I got farther and farther along in the series I did less and less preparation. I didn't use outlines or sketches. I just had a vague idea of what I wanted to tell and then the dialogue just came to me as I was inking the page.