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Writing about magic is harder than writing about spies because you're dealing with something that doesn't really exist.
From infancy on, we are all spies; the shame is not this but that the secrets to be discovered are so paltry and few.
We need spies that look like their targets, CIA officers who speak the dialects terrorists use, and FBI agents who can speak to Muslim women who might be intimidated by men.
I think suspense should be like any other color on a writer's palette. I suppose I'm in the minority but I think it's crazy for 'literary fiction' to divorce itself from stories that are suspenseful, and assign anything with cops or spies or criminals to some genre ghetto.
I love the idea of spies in love. How would it work between two people who were so programmed to lie and be suspicious, who have a whole life based on pretence?
From the outside, the CIA seems pretty exotic, but from the inside, it's a big, bureaucratic place. Think 'post office with spies.'
I was a big fan of this guy named Art Bell - I don't know if you've heard of him before. I listened to his overnight show for years, and he had all these guys on at one time or another, and they talked about psychic spies and remote viewing and all that stuff. I actually was fascinated by it - more about the guys than about what they were doing.
In basic training we had been told to watch out for Japanese spies.
There will always be spies. We have to have them. Without them we wouldn't have got Osama bin Laden - it took us years, but it happened.
A number of Americans were used, most often unwillingly, by North Korea to arm spies with English-speaking skills so they could target American interests in South Korea and beyond.