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Fantasy has had some problems with being too repetitive, in my opinion. I try to read what other people are doing - and say, 'How can I add to this rather than just recycle it? How can I stand on Tolkien's shoulders rather than stand tied to his kneecaps?'
Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.
I was born in Amersham, England on 6/4/58. My family moved to Australia when I was eight, and I went to Box Hill High School and then Melbourne High School. I liked to draw and write at school, and I liked books by J.R.R. Tolkien, A.A. Milne and Kenneth Grahame.
I don't steal stories. If I'm a plagiarist, so is Hitchcock. And Tolkien. And Shakespeare.
I was a massive Tolkien fan. 'The Hobbit' was... my favorite book as a little girl, and the Silvan Elves were my favorite characters in the book.
I'd never heard of the 'Lord of the Rings', actually. So I went to the bookstore and there it was, three shelves of books about Tolkien and Middle-earth, and I was like, 'Holy cow, what else am I missing out on?'
'The Hobbit' by J. R. R. Tolkien was the first book I enjoyed. I was 14 and when I finished I started it again.
One thing Tolkien does incredibly well - and this is from a lay person's point of view; I am not scholar or anything - is that you don't have to make an effort to envisage the worlds that he writes about.
Authors as diverse as Rudyard Kipling, E. Nesbit, and J. R. R. Tolkien have shaped modern paganism as greatly as any theological underpinnings.
Consensus wisdom has it that all modern commercial fantasy novels fall into two camps: those derived from J.R.R. Tolkien and those derived from Mervyn Peake. The 'Lord of the Rings' template or the 'Gormenghast' mold.
