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There are two men in Tolstoy. He is a mystic and he is also a realist. He is addicted to the practice of a pietism that for all its sincerity is nothing if not vague and sentimental; and he is the most acute and dispassionate of observers, the most profound and earnest student of character and emotion.
I used to have a great love for Dostoyevsky and Tolstoy, the big boys of the last century.
Watergate is an immensely complicated scandal with a cast of characters as varied as a Tolstoy novel.
When I was in prison, I was wrapped up in all those deep books. That Tolstoy crap - people shouldn't read that stuff.
Tolstoy may be right about happy and unhappy families, but in ballet, it works the opposite way: All good ballets are different from each other and all bad ones are alike, at least in one crucial respect - they're all empty.
A great writer is a great writer... Tolstoy was not a woman, but 'Anna Karenina' is still a pretty good book.
It's a different thing to write a love story now than in the time of Jane Austen, Eliot, or Tolstoy. One of the problems is that once divorce is possible, once break-ups are possible, it can all become a little less momentous.
In 'A Confession,' Tolstoy found meaning that he could hold on to, and he lived for another 30 years.
I love the Russian classics very much, the Russian classical literature. But I also read modern literature. As far as Russian literature is concerned, I am very fond of Tolstoy and Chekhov, and I also enjoy reading Gogol very much.
I had amazing intellectual privilege as a kid. My mom taught me to read when I was two or three. When I was five, I read and wrote well enough to do my nine-year older brother's homework in exchange for chocolate or cigarettes. By the time I was 10, I was reading Orwell, Tolstoy's 'War and Peace,' and the Koran. I was reading comic books, too.