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The world is full of people who have dreams of playing at Carnegie Hall, of running a marathon, and of owning their own business. The difference between the people who make it across the finish line and everyone else is one simple thing: an action plan.
I knew the full 'Judy Garland Carnegie Hall' double album set at age 2. And then my mother wondered why I was gay. I was like, 'Are you nuts? You would make me get on the table to sing Judy Garland songs and you're upset?'
It's every singer's dream to get to Carnegie Hall.
My mother, Minuetta Kessler, was a concert pianist and composer who performed at Carnegie Hall and Town Hall.
You know the question: 'How do you get to Carnegie Hall?' Answer: 'Practise?' Well, in my case, I got there by not practising. I didn't finish my music degree. And when I got into the pop world, I decided not to conform because I figured that the point of being an artist was that you shouldn't be like anyone else.
What makes knowledge automatic is what gets you to Carnegie Hall - practice, practice, practice.
Everywhere in the world, music enhances a hall, with one exception: Carnegie Hall enhances the music.
Toting around a full orchestra on tour is very ambitious. I would consider doing a show now and then, like do a show at Radio City or Carnegie Hall with a full orchestra.
Carnegie Hall was real fabulous, but you know, it ain't as big as the Grand Ole Opry.
When you play a concerto with a small orchestra, you don't feel it is as important as Carnegie Hall. You try to work out all the little problems. Once that's all done, trust comes in.