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John Brown first swam into my vision in the 1960s when I was a political activist in the civil rights movement and the anti-war movement at Chapel Hill, where I went to university.
The Sistine Chapel is an extraordinary work of education - it lays out all the early books of the Bible.
But I feel truly wowed by the architecture and the meaning of the architecture if you get lost in it and think about the man hours in the smallest little chapel, and the love involved. God it's fantastic.
I grew up on the South Island of New Zealand, in a city chosen and beloved by my parents for its proximity to the mountains - Christchurch is two hours distant from the worn saddle of Arthur's Pass, the mountain village that was and is my father's spiritual touchstone, his chapel and cathedral in the wild.
Even Michelangelo got paid for doing the Sistine Chapel. To those artists who say they're doing it for the love of art, I say: Get real.
I was sent to boarding school - a grim place. The only good thing the headmaster did for us was every Sunday evening in the winter he would show us films in the chapel. He couldn't afford a sound projector, so we saw silent films, which you could then still rent from photographic shops.
We can have open and good discussion with our Republican brothers and sisters. But when we walk into the chapel we should leave our political differences out in the parking lot.
When I'm building my dome in my chapel, and I had a vision - I've worked on perpetual motion and I haven't never give it up yet. I still think it could be done, perpetual motion. I had a vision of a un resist able windmill.
I was born in 1970 in Illinois, but all the life I remember I've spent in Chapel Hill, N.C.
There are no conditions in which we subordinate the interests of the class as a whole to the interests of any sect, any chapel, any separate organization.