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I don't tend to offer up a critique unless I have a clearly formulated alternative, because there's nothing worse than people on a set or any kind of artistic life who critique something but who don't have anything to offer.
I'm honest about expressing my opinions. At the same time, I'm diplomatic in how I do critique things if I have a negative response.
I learned early on not to listen to either critique - the people who love you or the people who don't like you.
I critique myself way harder than anybody else could critique me.
Race and class are rendered distinct analytically only to produce the realization that the analysis of the one cannot proceed without the other. A different dynamic it seems to me is at work in the critique of new sexuality studies.
I think the most effective forms of critique are ones that establish a common ground for people to occupy, and then appeal to the best nature of people on that common ground.
Constructive criticism is about finding something good and positive to soften the blow to the real critique of what really went on.
I'm not getting paid right now. No pay, no critique.
For me 'Oliver Twist' is a political novel. It is a furious critique of the treatment of orphans and poor children who were forced to spend their early lives in ghastly institutions.
If you look at our world, it's a world of critique.
