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In Malaysia, where Western culture was extremely influential, I'd grown up listening to Elvis and the Beatles and watching American movies. People wanted to be like Americans. In contrast, when I got here, I saw prosperous middle-class American college students wanting to somehow join the Third World.
All these boundaries - Africa, Asia, Malaysia, America - are set by men. But you don't have to look at boundaries when you are looking at a man - at the character of a man. The question is: What do you stand for? Are you a follower, or are you a leader?
In spite of the huge diversity in Malaysia in terms of religion, culture, race, ethnicity and so forth, we've really gone very far in developing this country.
There's good economic progress in Malaysia. People have a lot to look forward to.
My priority is to ensure peace and harmony in Malaysia. That is uppermost in my mind.
I want to do feature films. I am flying to Malaysia to be in another feature film. We will be filming that in Malaysia, the Phillipines, and back in California.
As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
I inherited them, so I got it like that. But I hear you can actually get dimples for a certain price if you really want them. I was getting my nails done once, and this lady asked me, 'Are those real? In my country, they pay a lot of money for those.' And I was like, 'Really?' I think she was from Malaysia.
We can transform the government and the economy, as well as democracy, in Malaysia.
China is the big economic engine in Asia, so what happens is, as China growth expands, these countries in the periphery of China, whether it be Indonesia, Malaysia, Singapore, the Philippines, they end up growing with China because they become big exporters.