Michael Nyman — British Composer born on March 23, 1944,

Michael Laurence Nyman, CBE is an English composer of minimalist music, pianist, librettist and musicologist, known for numerous film scores, and his multi-platinum soundtrack album to Jane Campion's The Piano. He has additionally written a number of operas, including The Man Who Mistook His Wife for a Hat, Letters, Riddles and Writs, Noises, Sounds & Sweet Airs, Facing Goya, Man and Boy: Dada, Love Counts, and Sparkie: Cage and Beyond, and he has written six concerti, four string quartets, and many other chamber works, many for his Michael Nyman Band, with and without whom he tours as a performing pianist. Nyman stated that he prefers to write opera rather than other sorts of music... (wikipedia)

I'm not a great inventor from scratch. What I do is to use, steal, acquire, reproduce or re-cycle music from other musicians.
I was rather disappointed, because the one thing I wanted to gain from that opportunity was to add something to his music, and have him add something to mine.
I'm like a decathlete who does all of the events he's used to, but is being forced by certain circumstances to focus on three events, and being forced to focus on events that he wasn't that interested in, and also weren't his strongest events.
There's always a question of duration, there's a question of who the orchestra is. No one is free to write what you want - you collaborate on a film score, and one of the good things is that someone else's work is motivating you.
I'm not saying that there weren't other inherent problems with the score that couldn't have been overcome with a bit of remixing, but why did they ask me to do it, and why did Griffin ask me to do it this way, for a film that had nothing to do with American vernacular?

If you find QuotesGram website useful to you, please donate $10 to support the ongoing development work.

If you find QuotesGram website useful to you, please donate $10 to support the ongoing development work.