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My teachers encouraged me to audition for some professional work during our summer vacation. I landed my first job. It was for the National Theatre Company's Mimika Pantomime troupe. I ended up touring with them for the next two years.
Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety's not my forte.
My dad tells me that he took us to a pantomime when I was very, very small - panto being a sort of English phenomenon. There's traditionally a part of the show where they'll invite kids up on the stage to interact with the show. I was too young to remember this, but my dad says that I was running up onstage before they even asked us.
It's a pragmatist's business, comedy. Start off with good intentions and references to the Pompidou Centre and you end up with boiled sweets and a pantomime cow.
I'm actually quite a nice person. It's to do with the way I look, an uncompromising sort of face, brusque delivery and voice, and I think the combination of all that. When I'm doing pantomime, children will scream the place down before I open my mouth. There's obviously something that really gets them.
I've been very fortunate. I've been in theater, films, television, radio, tragedy, comedy, farce - I've been in a musical and in music halls, in pantomime. I was once ringmaster in a circus.
I'm really passionate about pantomime because it is often the first introduction for a child to theatre, and if that child has a great experience at a pantomime they will continue to come year after year.
How do we get a pantomime cow on set. Jeez, the rigours of satire.
It takes more drawing to tell a story in pantomime.
As a child I was taken to the pantomime or the theatre and I would always, always fall in love with somebody on the stage. And want to have sex with them.