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Leon Theremin's original designs are elegant, ingenious and effective. As electronics goes, the theremin is very simple. But there are so many subtleties hidden in the details of the design. It's like a great sonnet, or a painting, or a speech, that is perfectly done on more than one level.
The true self seeks release, not constraint. It doesn't want to be corseted in a sonnet or made to learn a system of musical notations. It wants liberation, which is why very often it fastens on the novel, for the novel seems spacious, undefined, free.
An intellectual's weapon is writing, but sometimes people react as if it were a firearm. A writer can do a lot to change the situation, but as far as I know, no dictatorship has fallen because of a sonnet.
Profound subject matter can be encompassed in small space - for proof, look at any sonnet by Shakespeare!
If you have so earth-creeping a mind that it cannot lift itself up to look to the sky of poetry... thus much curse I must send you, in the behalf of all poets, that while you live, you live in love, and never get favour for lacking skill of a sonnet; and, when you die, your memory die from the earth for want of an epitaph.
To me there's no creativity without boundaries. If you're gonna write a sonnet, it's 14 lines, so it's solving the problem within the container.
The form I most enjoy writing is the sonnet or sonnet-like forms, where you have a - you know, three stanzas or two stanzas that lead into a concluding couplet.
I have three phobias which, could I mute them, would make my life as slick as a sonnet, but as dull as ditch water: I hate to go to bed, I hate to get up, and I hate to be alone.
A story is a story is a story. The only difference is in the techniques you bring to bear. There are always limitations on what you can and can't do. But I enjoy that. Just like when you write a sonnet or haiku, there are rules you have to abide by. And to me, playing within the rules is the fun part. It keeps the brain fresh.