I usually give a book 40 pages. If it doesn't grab me by then, adios. With young adult books, you can usually tell by Page 4 if it's worth the time. The author establishes the conflict early, sometimes in the first sentence. The themes of hope, family, friendship and overcoming hardship appeal to most everyone.
Our life is a book that writes itself and whose principal themes sometimes escape us. We are like characters in a novel who do not always understand what the author wants of them.
I think vampires are different from human beings, but they're sentenced to eternity on this planet. They have the same confusion about love and permanence, integrity, and denial. These qualities really are the same in vampire characters as in humans. I think they're universal themes.
There is no reason why challenging themes and engaging stories have to be mutually exclusive - in fact, each can fuel the other. As a filmmaker, I want to entertain people first and foremost. If out of that comes a greater awareness and understanding of a time or a circumstance, then the hope is that change can happen.
I think you sense the metaphorical resonance of what you're writing without analysing it too carefully. That leads you down dead ends. You stop imagining things and start writing towards these themes.
You never know when some small thing will lead to a big idea. Travel is very inspirational - but it's in the ordinary that I find my themes of love and work and family.
Art is built on the deepest themes of human meaning: good and evil, beauty and ugliness, life and death, love and hate. No other story has incarnated those themes more than the story of Jesus.
I think the themes of belonging and parentage and love are obviously universal.
For me, life and death are very important themes. There is no life without death. That's why it's very important to me.
I like the beauty of Faulkner's poetry. But I don't like his themes, not at all.