Thank you! Don't forget to confirm subscription in your email.
Five billion people have played Hamlet. 'To be or not to be.' And how do you do that and find your way into your own journey, your own way of telling it?
You have a choice. Live or die. Every breath is a choice. Every minute is a choice. To be or not to be.
Often and often must he have thought, that, to be or not to be forever, was a question, which must be settled; as it is the foundation, and the only foundation upon which we feel that there can rest one thought, one feeling, or one purpose worthy of a human soul.
To be, or not to be, that is the question.
To be or not to be is not a question of compromise. Either you be or you don't be.
If you were to ask everyone what 'Hamlet' was about, they might say, "It's about a prince, and he says, 'To be or not to be.'"
To be or not to be isn't the question. The question is how to prolong being.
I was emotional. I wanted to be taken seriously. I was pretty emo. I was reciting Shakespeare monologues when I was 10. I still know the whole 'To be, or not to be...' monologue, because I knew it when I was 10.
To be or not to be. That's not really a question.
To date or not to date that is the question. It's almost as important as Shakespeare's to be or not to be which deals with death.
