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Comedy. It was just huge in my house. Peter Sellers and Alec Guinness, Monty Python and all those James Bond movies were highly regarded.
'Monty Python' and 'The Simpsons' have ruined comedy for writers for the rest of our lives.
Remember that film 'Sliding Doors,' when John Hannah woos Gwyneth Paltrow by reciting Monty Python sketches? I can tell you now that doesn't work, so that film's wrong.
I love the English. My God, they brought us 'Benny Hill,' 'Monty Python,' 'The Office,' Neville Chamberlain.
I just don't know when we all decided that if it doesn't fit in a Happy Meal box, it's not for kids. I remember flying monkeys in the Wizard of Oz, and I grew up watching Monty Python. I think that kids can handle a lot more than we give them credit for, especially when it comes to the absurd.
I'd grown up loving English films. I was a huge Monty Python fanatic as a kid.
Growing up, I watched shows such as 'Blackadder' and 'Monty Python' with my parents.
I prefer the finesse of French humour. English humour is more scathing, more cruel, as illustrated by Monty Python and Little Britain.
I like that feeling of discombobulation that comes in creating an absurd world that doesn't make sense. 'Monty Python' does a good job of it; 'Bugs Bunny,' too.
'Pastoralia' by George Saunders. Possibly my favorite book. It's one of the weirdest books I've ever read. If Monty Python and Thomas Pynchon had a love child, and it was raised by Frank Zappa on a weird commune, that would be this book.
