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The whole universe is based on rhythms. Everything happens in circles, in spirals.
Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing.
I don't like to define my music. To me, music is pure emotion. It's language that can communicate certain emotions and the rhythms cuts across genders, cultures and nationalities. All you need to do is close your eyes and feel those emotions.
Composers in the old days used to keep strictly to the base of the theme, as their real subject. Beethoven varies the melody, harmony and rhythms so beautifully.
A hostility to modernity is shared by ideologies that have nothing else in common - a nostalgia for moral clarity, small-town intimacy, family values, primitive communism, ecological sustainability, communitarian solidarity, or harmonies with the rhythms of nature.
Because music is a language unto itself, when I'm writing, I need silence. I need to hear the music and the rhythms of the words inside my thoughts.
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the joy of seeing the rhythms of many as one, a visual rhyming or music in which everyone senses where the motion is going.
In a broader sense, the rhythms of nature, large and small - the sounds of wind and water, the sounds of birds and insects - must inevitably find their analogues in music.
I always read poetry before I write, to sensitize me to the rhythms and music of language.
Swing is extreme coordination. It's a maintaining balance, equilibrium. It's about executing very difficult rhythms with a panache and a feeling in the context of very strict time. So, everything about the swing is about some guideline and some grid and the elegant way that you negotiate your way through that grid.