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In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that.
The magic can happen in a studio. Special things can happen in a recording studio, even though it may seem like a clinical environment from the outside looking in.
I like being in a recording studio. I like watching a song go from the simplicity of the original music.
My job of being a musician in a recording studio has nothing to do with being a musician being on tour performing.
Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.
It is a lot cheaper to spend eight hours in a rehearsal hall than in a recording studio.
I'm no diva but I can be annoying in a recording studio. Of course I try to be a diva in terms of confidence of performance and owning a song but I've never behaved like one in terms of the negative connotations of the word.
I got out of high school, bought a recording studio and started operating it as an engineer and a producer.
One of my earliest memories is being inside the recording studio and I see the shadow of a figure that looks an awful lot like Walt Disney. Then the door opened and Mr. Disney walked in and said, 'Hi Clint.' I won't ever forget that.
Unlike other voice-over situations which are done in a recording studio, Roger Rabbit was live action and animation combined, and there was a time factor, so my voice was recorded live on the set. So I'm on the set rehearsing and recording my voice as a performance with the other actors, and they're all wearing costumes, and it made sense to me.